In memoriam Philip Larkin
In the All Music Guide to Blues, Bill Dahl writes that Bull Moose Jackson "had a split musical personality" (213), and if we listen to his records, we must agree that Jackson was, indeed, a Jekyll-and-Hyde sort of bluesman, the kind that Robert Louis Stevenson, had he ever heard of the blues, would have loved. On the one hand, when he was feeling like Dr. Jekyll, Jackson sang sweet love songs in a style that reminds us of Billy Eckstine, though his voice was not as deep and versatile as Mr. B.'s. But when he turned into Mr. Hyde, Jackson sang funny, mildly risque jump blues songs with titles such as "Big Ten-Inch Record," "I Want a Bowlegged Woman," "Nosey Joe," and "We Can Talk Some Trash." And there was yet another side to his musical output: because he spent a big chunk of his recording career at Syd Nathan's King Records, which was originally a country label, Jackson cut rhythm and blues versions of country and western tunes such as Wayne Raney's "Why Don't You Haul Off and Love Me" and Faron Young's "If You Ain't Lovin' You Ain't Livin'."
|Bandleader Lucky Millinder|
"I Love You, Yes I Do" and "All My Love Belongs to You," with arrangements that also spotlighted his sax playing, became hits. But the buying public also received Jackson's more risque outings rather well, in particular "I Want a Bowlegged Woman," Jerry Leiber and Mike Stoller's "Nosey Joe" ("he's ready to stick his long nose in their [women's] business"), and his classic "Big Ten-Inch Record," whose clever lyrics went like this:
Got me the strangest woman
Believe me, this chick's no cinch
But I really get her going
When I take out my big ten-inch
Record of the band that plays the blues
The band that plays the blues
She just loves my big ten-inch
Record of her favorite blues.
|Vocalist Annisteen Allen|
Those interested in finding out more about Bull Moose Jackson should check out this interesting tribute website put together by Bogus Records.
|Bull Moose Jackson in his final years|