A collection of reviews about my favorite recordings of vintage jazz, classic pop, and the crooners, including the biggest stars and some obscure names, published by Anton Garcia-Fernandez in Martin, Tennessee, U.S.A.
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Jazz Flashes, my other jazz blog
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Recommended Listening This Month
Tony Bennett & Bill Charlap - The Silver Lining: The Songs of Jerome Kern (Columbia)
Recommended Reading This Month
'Jazz Anecdotes: Second Time Around,' by Bill Crow (Oxford UP)
A Few Early 78s of Ives and Ruggles
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Charles IvesForthcoming on my other blog are remastered versions of six
early LP discs of Charles Ives' music, presented to mark the
sesquicentennial of h...
COMING SOON: BING CROSBY WINTER WARMER BEER
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Bing Crosby Winter Warmer Returns!
The holiday season is here and we’re bringing back a fan favorite... our
White Christmas Winter Warmer!
The holiday se...
More from the Spencer-Hagen Orchestra
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Herbert Spencer and Earle HagenBack in 2018, I devoted a post to the
Spencer-Hagen Orchestra, a lush orchestral outfit started by two veterans
of the Holl...
Sol Schlinger, Baritone Sax Extraordinaire
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In the 1950s, when the 12-inch album became dominant in jazz and pop, many
labels needed musicians who could record perfectly in the fewest number of
takes...
It's Time For A Break
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Don't panic, just a short break of maybe a few weeks to sort some stuff
regarding the Boogiewoody mansion plus other matters. I thought it ...
AWOL
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Sorry for being AWOL for a while, but rest assured that I haven't given up
on this blog yet. I've still got Chick Bullock all the way to 1940 to post!
Work...
Following my article on singer-guitarist Charlie Palloy, published back in November, one of our readers, identified simply as "Crown Records," wrote me a message to let me know that further information on Palloy had surfaced right around the time when I was doing the research for my article. Apparently, Palloy, whose real name was Carmino Molluzzo and was the son of Italian immigrants who settled down in New York City, enjoyed a longer career in music than was previously thought, although he recorded as Charlie Palloy only for Crown and Columbia, which perhaps accounts for the scarcity of information previously available on him. Afterwards he changed his name to Charlie Costello and moved to Detroit, where he ran a nightclub for several years. According to the message from our friend "Crown Records," a full-length article is currently under preparation and will soon appear in the magazine VJM's Jazz & Blues Mart. For more information, you can visit this very interesting Facebook page devoted to artists who recorded for the old Crown label. And, of course, I am grateful to our reader "Crown Records" for this message, which somehow fulfills the wish for more information about Palloy that I made toward the end of my article!
And here is Charlie Palloy's version of Duke Ellington's "It Don't Mean a Thing (If It Ain't Got That Swing)," cut for Crown in January of 1932.
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