“Cliff’s Edge,” and he brings in two of his own compositions, “Princess” and “Blue Jay.” These are two excellent mid-tempo vehicles for the kind of improvisation that Jenkins enjoyed, based on swift phrases with enough unexpected notes here and there to keep the listener’s attention. “Soft Talk,” the longest track on the album, is much more fast-paced, and though it is dominated primarily by Jenkins, it does contain a compelling solo by Timmons, and even Ware gets to solo briefly on bass. Jenkins is ably supported by Timmons on “Tenderly,” both the only standard and the only ballad in the set, which stands as a fine example of Jenkins’s gusto when it comes to slow numbers.
|Kenny Burrell and John Jenkins|
|Bobby Timmons plays piano on Jenkins's first session as a leader|