"Breezin' Along with the Breeze," "Half a Moon," and "All Alone Monday," Marvin has not remained associated with one particular tune, which may be one of the reasons for his current obscurity.
|Frankie and Johnny Marvin|
|An ad for the Johnny Marvin ukulele model|
As a radio personality, Marvin appeared in several shows, starring in one of them as Dr. Cheer for the NBC network in 1931. The concept behind the program was that he would sing songs inspired by problems described by listeners in their letters. Fortunately, some recordings of the show survive, and they can be found on the CD compilation A Voice of the 20s (Take Two). He also made some radio transcriptions for MacGregor in the late 1930s, but by that time he had mostly abandoned his recording activities to concentrate on songwriting. According to Pitts and Hoffman, his last commercial recording session (for Decca) took place sometime towards the end of the 1930s, but judging by some of the songs he cut ("Me and My Shadow" being one) he was mostly seen by then as a relic of what seemed like a distant past. During WWII, Marvin became involved with the USO, entertaining troops as far afield as the South Pacific, where he contracted malaria, and the disease would lead to his passing in December 1944, when he was merely 47 years old.
A Voice of the 20s features three tracks from the Dr. Cheer radio series (including a spoken commercial for Columbia Cleaners, the show's sponsor) as well as fine sides made between 1927-1930, like "I Still Get a Thrill," "Crazy Rhythm," "I'm in Seventh Heaven," and even the outstanding instrumental "12th Street Rag." Though now out of print, Breezin' Along with the Breeze (ASV / Living Era) is a rather comprehensive compilation of both solo recordings and dance-band sides for which Marvin provides vocal refrains, all cut between 1926-1930. Highlights include "Just Another Day Wasted Away," "Blue Skies" (a duet with Ed Smalle), "Ain't That a Grand a Glorious Feeling?," "Happy Days and Lonely Nights," and Al Jolson's "There's a Rainbow 'Round My Shoulder," among many others. Those who still remember Johnny Marvin today often tend to think of him as a composer of Western tunes performed by Autry and Roy Rogers, but that is only a small part of his legacy. If we go back to the late 1920s and early '30s, we will discover the appealing work of a smooth crooner and an excellent ukulele player. And, as Pitts and Hoffman remind us, it is a body of work that is awaiting rediscovery.