In this new installment of the Vintage Record Review Desk, I discuss some CDs that I have either recently purchased or rediscovered on my shelf. They include Bing Crosby's latest collection of cuts from the Kraft Music Hall, the late-fifties sessions featuring Tony Bennett and Count Basie, the 1956 album that pairs up Rosemary Clooney and Duke Ellington, and a 1970 gathering of Paul Gonsalves and Ray Nance. I also make a special mention of a forthcoming biography of Rosemary Clooney that will be on the market later this summer.
I have already written a fairly extensive review of Bing Crosby in the Hall (Sepia, 2013) on the Amazon.com website, which you may access here, so I will not add a great deal to what I already stated there. This is a fantastic collection of thirty rare performances taken from Bing Crosby's ten-year run as host of the extremely popular Kraft Music Hall radio show. On that show, Bing offered a concoction of music and comic banter full of ad-libbing that was then revolutionary and that turned him into one of the most popular radio personalities of the 1930s and '40s. For different reasons, Crosby never made commercial recordings of some of the songs that he sang on the show, and that is one of the reasons why this compilation is so interesting: we get to hear Bing doing wonderful renditions of classics such as Hoagy Carmichael's "I Get Along Without You Very Well," Johnny Mercer's "I Thought About You," and Cole Porter's "You'd Be So Nice to Come Home to," among many others. John Scott Trotter provides his usually attractive arrangements ably played by a studio orchestra, and Bing is at the peak of his game, in fine vocal form, and as relaxed as he always was when he sang over the airwaves. Sepia Records have done an outstanding job remastering these tracks from old acetates once stored in Trotter's basement and transferred to tape sometime in the 1960s, and so the sound quality is really satisfying bearing in mind the age of the recordings. This release has been prepared with the help of the International Club Crosby, and the very informative liner notes, which include a brief discussion of each track, were written by Malcolm Macfarlane, the editor of the ICC's Bing magazine. This is certainly a must for Crosby fans, and I do hope that Sepia see it fit to turn this release into a full-blown series, since there is enough interesting material in the vaults to do so.
"I Let a Song Go out of My Heart," "It Don't Mean a Thing (If It Ain't Got That Swing)," "Mood Indigo," and "I Got It Bad (and That Ain't Good)" with ease, and all tracks are embellished by first-rate solos from Ellington's sidemen, including names such as Ray Nance and Clark Terry (trumpet), Johnny Hodges, Russell Procope, Harry Carney, and Paul Gonsalves (saxophone), and others. The indispensable Columbia-Legacy reissue includes an interesting essay by Will Friedwald, as well as two bonus tracks from the sessions ("If You Were in My Place" and "Just A-Sittin' and A-Rockin'") that were not included in the original album. By the way, a new biography of Rosemary Clooney, entitled Late Life Jazz: The Life and Career of Rosemary Clooney (Oxford UP), is scheduled for publication later this summer. It is co-authored by Ken Crossland and Malcolm Macfarlane (the latter wrote the liner notes of the Bing Crosby release reviewed above), and we look forward to reading it as soon as it is available.
"B.P. Blues," a lovely Ellington-penned blues tune that kicks off the album, but for the most part, the numbers chosen, such as "Don't Blame Me" and a very beautiful reading of Matt Dennis's "Angel Eyes," are standards not written by Ellington or Strayhorn. The CD reissue, which reprints the original liner notes by producer Alan Bates, is rounded up by two selections ("I Cover the Waterfront" and "Stompy Jones") not included in the original LP. Although this marvelous session is currently out of print on CD, it is certainly well worth picking up a second-hand copy—that is, if one can still be found at a reasonable price!
“AIMING TO THRILL”: CONCERT-GOING, 1935 and 1939 - From The Historic New Orleans Collection: evidence of Louis in New Orleans, 1935, in the Astoria section at a nightclub (for African-American audiences): ...
1 hour ago